Film
Forensic Truth Regimes
The event explores how documentary film and aesthetic investigations can reopen unresolved questions of justice and accountability by revisiting the 1992 killing of two Romanian Roma men at the German-Polish border and examining the counter-forensic potential of visual media to critique legal violence and truth regimes. It is part of the series “Visual Truth Regimes,” organized by Laliv Melamed (Goethe University Frankfurt, TFM), Felix Trautmann (HBK Braunschweig / Institute for Social Research), and Franziska Wildt (Institute for Social Research).
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LA PERMISSION (FR 1967. R: Melvin van Peebles)
Lecture & Film „Black Atlantic Cinema“ Lecture: Greg de Cuir Jr Lecture: A Black American in Paris Melvin van Peebles left the United States to live and work in Europe in 1959, and […]
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The Viewing Booth
The Record and the Narrative. The Documentary Cinema of Ra’anan Alexandrowicz Ra’anan Alexandrowicz, geboren 1969 in Jerusalem, zählt zu den wichtigsten Dokumentarfilmautoren der Gegenwart. Seine vielfach preisgekrönten filmischen Nachforschungen zu […]
weitere Infos › The Inner Tour
The Record and the Narrative. The Documentary Cinema of Ra’anan Alexandrowicz Ra’anan Alexandrowicz, geboren 1969 in Jerusalem, zählt zu den wichtigsten Dokumentarfilmautoren der Gegenwart. Seine vielfach preisgekrönten filmischen Nachforschungen zu […]
weitere Infos › The Law in These Parts
The Record and the Narrative. The Documentary Cinema of Ra’anan Alexandrowicz Ra’anan Alexandrowicz, geboren 1969 in Jerusalem, zählt zu den wichtigsten Dokumentarfilmautoren der Gegenwart. Seine vielfach preisgekrönten filmischen Nachforschungen zu […]
weitere Infos › Key Works of Afro-Brazilian Short Film
Lecture & Film: Black Atlantic Cinema Lecture: Janaína Oliveira (Rio de Janeiro) Lecture: Key Works of Afro-Brazilian Short Film Janaína Oliveira has a Ph.D. in History and is a professor at the Federal Institute […]
weitere Infos › SAMBIZANGA (1972. R: Sarah Maldoror)
Lecture & Film „Black Atlantic Cinema“ Lecture: Jennifer Blaylock (Rowan University) Lecture: The Thin Green Line Between Canons and Revolutions. On Sarah Maldoror’s Sambizanga (1972) What happens to the revolutionary grainy aesthetics, the militancy […]
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MANDABI Die Postanweisung (SN 1968. R: Ousmane Sembene)
Lecture & Film „Black Atlantic Cinema“ Lecture: Daniel Fairfax (Frankfurt) Lecture: Symbolic Capital: Mandabi (1968) by Ousmane Sembene An adaptation of his own novella Le Mandat, Ousmane Sembene’s Mandabi (1968) was the first feature-length film made in the […]
weitere Infos › THE TERROR AND THE TIME (GY 1979. R: Victor Jara Collective)
Lecture & Film „Black Atlantic Cinema“ Lecture: Iyabo Kwayana (New Hampshire) Lecture: Terror and the Time: A Reflection on Poetic Resistance This talk will explore the poetry of Martin Carter as a powerful […]
weitere Infos › CONFUSION NA WA (NG 2013. R: Kenneth Gyang)
Lecture & Film „Black Atlantic Cinema“ Lecture: Didi Cheeka, Vinzenz Hediger Lecture: Nollywood and the Black Atlantic. On Kenneth Gyang’s “Confusion Na Wa” (2013) Rather than wait for government support or European […]
weitere Infos › LITTLE SENEGAL (DZ/FR/DE 2001. R: Rachid Bouchareb)
Lecture & Film „Black Atlantic Cinema“ Lecture: Boukary Sawadogo (New York) Lecture: Blackness: Politics and Affect of Kinship in Little Senegal Little Senegal (2001) by the Algerian French director Rachid Bouchareb brings to the […]
weitere Infos › A DEUSA NEGRA (Black Goddess. BR/NG 1979. R: Ola Balogun)
Lecture & Film „Black Atlantic Cinema“ Einführung: Didi Cheeka (Lagos) und Vinzenz Hediger (Frankfurt, ConTrust) Lecture: Crossing the Black Atlantic: Ola Balogun and A Deusa Negra (1978) Reversing the course of the middle passage a […]
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