DISSONANCE: Cartooning in Iran, Humor, and the Study of Things That Don’t Match
This essay, drawing on research with cartoonists in Iran, explores cartooning as a distinctive mode of engaged knowing through drawing and humor. By unraveling the cartoonists‘ capacity to perceive, compose, and amplify dissonance, the study reveals a practice that intertwines perceptive sensitivity, analytical skill, and moral commitment. Embracing dissonance through cartooning and humor not only provides new perspectives on the political present in Iran and beyond but also offers a peculiar mode of knowing the uncomfortable—studying things that don’t match. Unlike cartooning, anthropology seldom embraces humor, yet both share a capacity for navigating dissonance. Humor as an aesthetic and ethical practice can open unconventional paths for research and commitment, providing a means and audacity to understand the unknowable—all with a spirit of humility and critique.
