{"id":5319,"date":"2024-11-18T17:13:58","date_gmt":"2024-11-18T16:13:58","guid":{"rendered":"https:\/\/reverent-antonelli.23-88-7-78.plesk.page\/veranstaltungen\/restoring-ray-jalsaghar-and-the-geo-politics-of-preserving-cinema-amrita-biswas-frankurt\/"},"modified":"2025-04-08T12:10:30","modified_gmt":"2025-04-08T10:10:30","slug":"restoring-ray-jalsaghar-and-the-geo-politics-of-preserving-cinema-amrita-biswas-frankurt","status":"publish","type":"tribe_events","link":"https:\/\/normativeorders.net\/en\/veranstaltungen\/restoring-ray-jalsaghar-and-the-geo-politics-of-preserving-cinema-amrita-biswas-frankurt\/","title":{"rendered":"Restoring Ray: JALSAGHAR and the geo-politics of preserving cinema &#8211; Amrita Biswas (Frankurt)"},"content":{"rendered":"<p>Who creates and preserves the canon of cinema? If you follow the material history of Satyajit Ray&#8217;s <strong>JALSAGHAR<\/strong>, which tells the story of the downfall of a music-obsessed landowner, you come across a global power structure for archiving, preserving and restoring films. Using the journey around the world of the camera negative, the &#8220;original&#8221; of the film, as a guide, it can be shown that the preservation of film heritage in Ray&#8217;s case is a highly political process characterized by considerable power imbalances.  <\/p>\n<p><strong>Amrita Biswas<\/strong> is a doctoral candidate in the DFG Research Training Group &#8220;Configurations of Film&#8221; at Goethe University Frankfurt.<\/p>\n<p><strong>Film<\/strong>: JALSAGHAR (The Music Room), India 1958, 94 min.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Who creates and preserves the canon of cinema? If you follow the material history of Satyajit Ray&#8217;s JALSAGHAR, which tells the story of the downfall of a music-obsessed landowner, you [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":2759,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_links_to":"","_links_to_target":""},"tags":[184],"tribe_events_cat":[299],"class_list":["post-5319","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-movie","tribe_events_cat-ein-auge-fuer-die-welt-die-filme-von-satyajit-ray-en","cat_ein-auge-fuer-die-welt-die-filme-von-satyajit-ray-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events\/5319"}],"collection":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/comments?post=5319"}],"version-history":[{"count":2,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events\/5319\/revisions"}],"predecessor-version":[{"id":6416,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events\/5319\/revisions\/6416"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/media\/2759"}],"wp:attachment":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/media?parent=5319"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tags?post=5319"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=5319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}