{"id":5242,"date":"2024-11-07T14:51:02","date_gmt":"2024-11-07T13:51:02","guid":{"rendered":"https:\/\/reverent-antonelli.23-88-7-78.plesk.page\/veranstaltungen\/lunchtalk-for-women-and-early-career-researchers-with-grada-kilomba\/"},"modified":"2025-04-07T17:30:58","modified_gmt":"2025-04-07T15:30:58","slug":"lunchtalk-for-women-and-early-career-researchers-with-grada-kilomba","status":"publish","type":"tribe_events","link":"https:\/\/normativeorders.net\/en\/veranstaltungen\/lunchtalk-for-women-and-early-career-researchers-with-grada-kilomba\/","title":{"rendered":"Lunchtalk for women and Early Career Researchers with Grada Kilomba"},"content":{"rendered":"<p>In an informal lunch setting, we aim to open a space for Grada Kilomba to talk about her experiences and insights into knowledge production within and without academia and the praxis of performing knowledge.<\/p>\n<p>Please register in advance: <a href=\"https:\/\/cgc.uni-frankfurt.de\/veranstaltungen\/angela-davis-gastprofessur\/grada-kilomba-the-art-of-performing-knowledge\/lunch-meeting-with-early-career-researchers\">Here&#8230;<\/a><\/p>\n<p><strong>Grada Kilomba<\/strong> is a Berlin-based Portuguese artist, whose work draws on memory, trauma and post-colonialism. Using performance, staged reading, video, photography, large scale sculptural and sonic installations, the artist interrogates concepts of knowledge, violence and repetition. Kilomba&#8217;s work is best known for her subversive practice of storytelling, in which she creates a poetic and immersive imagery, giving body, voice, form and movement to her own writings. &#8220;What stories are told? How are they told? Where are they told? And told by whom?&#8221; are constant questions in Kilomba&#8217;s body of work.<\/p>\n<p>Kilomba holds a distinguished Doctorate in Philosophy from the Freie Universit\u00e4t Berlin, and in 2023 the artist was awarded a Doctorate Honoris Causa by University of ISPA, Lisbon. She has been a guest professor at several international universities, such as Humboldt University &#8211; Berlin; the University of Legon, Accra; and the University of Applied Arts, Vienna, among others. Kilomba has resided at the prominent Maxim Gorki Theatre, in Berlin, for several years, where she developed the acclaimed project &#8216;Kosmos2&#8217;, an artistic and political intervention with refugee artists. She was the co-curator of the 35th Biennial of S\u00e3o Paulo, Choreographies of the Impossible, 2023.<\/p>\n<p>She is the author of the acclaimed &#8220;Plantation Memories&#8221; (Unrast, 2008) a compilation of episodes of everyday racism written in the form of short psychoanalytical stories. Her book has been translated into several languages worldwide.<\/p>\n<p>Her work has been presented in major international events such as: 10th Berlin Biennale, Berlin; Documenta 14, Kassel; 32nd Bienal de S\u00e3o Paulo, S\u00e3o Paulo. Selected solo and group exhibitions include the Palais de Tokyo, Paris; Somerset House, London; Castello di Rivoli Museum of Contemporary Art, Turin; Pinacoteca de S\u00e3o Paulo, S\u00e3o Paulo; Bildmuseet, Ume\u00e5; Kunsthalle Baden-Baden; Fitzwilliam Museum, Cambridge; Norval Foundation, Cape Town; Haus der Kulturen der Welt, Berlin, among others.<\/p>\n<p>Kilomba&#8217;s work can be found in many prominent public collections around the world, including Tate Modern Collection, London; Royal Dutch Collection, Amsterdam; International African American Museum Collection, Charleston; Fitzwilliam Museum Collection, Cambridge, among others.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In an informal lunch setting, we aim to open a space for Grada Kilomba to talk about her experiences and insights into knowledge production within and without academia and the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":2328,"comment_status":"open","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_links_to":"","_links_to_target":""},"tags":[178],"tribe_events_cat":[],"class_list":["post-5242","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-lecture"],"acf":[],"_links":{"self":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events\/5242"}],"collection":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/comments?post=5242"}],"version-history":[{"count":1,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events\/5242\/revisions"}],"predecessor-version":[{"id":5243,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events\/5242\/revisions\/5243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/media\/2328"}],"wp:attachment":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/media?parent=5242"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tags?post=5242"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=5242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}