{"id":9977,"date":"2025-05-27T15:39:22","date_gmt":"2025-05-27T13:39:22","guid":{"rendered":"https:\/\/reverent-antonelli.23-88-7-78.plesk.page\/event-series\/exhibitions\/"},"modified":"2025-05-27T15:50:57","modified_gmt":"2025-05-27T13:50:57","slug":"exhibitions","status":"publish","type":"page","link":"https:\/\/normativeorders.net\/en\/event-series\/exhibitions\/","title":{"rendered":"Exhibitions"},"content":{"rendered":"\n
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FIXING FUTURES: Planetary futures between speculation and control<\/h3>\n\n\n\n

April 5 to August 31, 2025<\/em><\/p>\n\n\n\n

As part of the exhibition \u201cFIXING FUTURES: Planetary Futures between Speculation and Control\u201d, the MGGU – Museum Giersch of Goethe University together with the research center \u201cNormative Orders\u201d invites you to the lecture series \u201cShaping the Future – Between Climate Change, Technology and Social Responsibility\u201d.<\/p>\n\n\n\n

Between May and July 2025, experts from various scientific disciplines will shed light on key issues and challenges in dealing with shaping the future in the face of climate change.<\/p>\n\n\n\n

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More about the exhibition<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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tinyBE – living in a sculpture<\/h3>\n\n\n\n

June 26 to September 26, 2021<\/em><\/p>\n\n\n\n

In the open air, the tinyBE exhibition project brings together nine temporarily inhabitable sculptures by international artists in the Frankfurt Rhine-Main metropolitan region for the first time. In Metzlerpark on the Museumsufer in Frankfurt, at the Hessisches Landesmuseum in Darmstadt and in front of the Museum Wiesbaden, the non-profit tinyBE Gesellschaft presents artistically free, visionary, utopian or even dystopian ideas on experimental forms of housing and living. The exhibition picks up on current debates about the future of living and working, socio-cultural challenges and the resource-conserving use of living spaces in artistically and functionally designed small-scale architectures – topics that are also addressed by the scientists of the \u201cNormative Orders\u201d research network. <\/p>\n<\/div>\n\n\n\n

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Making Crises Visible<\/h3>\n\n\n\n

February 12 to June 2, 2020<\/em>In the scientific-artistic project \u201cMaking Crises Visible\u201d, researchers from the Leibniz Research Alliance \u201cCrises in a Globalized World\u201d, the Research Alliance \u201cNormative Orders\u201d and Goethe University Frankfurt are working together with students from the Offenbach University of Art and Design to develop ideas for the artistic visualization of research results that deal with crises. From 12 February to 2 June 2020, the jointly developed \u201cknowledge art objects\u201d will be on display at the Senckenberg Museum and will be accompanied by a supporting program of various events. <\/p>\n\n\n\n

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To the project website<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Hanne Darboven – Writing time<\/h3>\n\n\n\n

May 3 to June 7, 2017<\/em><\/p>\n\n\n\n

In<\/span>1976, the conceptual artist Hanne Darboven (1941-2009) published a sequence of 236 sheets under the name \u201cetc. etc.\u201d. In the years that followed, this sequence became her key work \u201cSchreibzeit\u201d, comprising almost 4000 sheets. In \u201cetc. etc.\u201d, Darboven combined the elements of her working method for the first time: minimalist construction principles, her technique of noting time and her way of political commentary through eclectic copying. Hanne Darboven continued to develop her work over the decades with space-filling works on paper, 16mm films, collector’s work on the history of civilization and musical compositions. With etc. etc. from 1976, the 16mm film \u201cVierjahreszeiten. Der Mond ist aufgegangen\u201d from 1982\/83 and the live performance of her composition Opus 17a for double bass solo from 1983 and Opus 26 for string quartet from 1989\/90, the Studiengalerie 1.357 shows Hanne Darboven’s working methods in their diversity of media. <\/p>\n\n\n\n

Organizers:<\/strong> Research Center for Historical Humanities, University of Music and Performing Arts, Hanne Darboven Foundation, Hamburg and Cluster of Excellence \u201cThe Formation of Normative Orders\u201d<\/a><\/p>

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Supporting program of the exhibition \u201cUnder Arms. Fire & Forget 2\u201d<\/h3>\n\n\n\n

September 10, 2016 until March 26, 2017<\/em><\/p>

<\/div>Der Exzellenzcluster \u201eDie Herausbildung normativer Ordnungen\u201c verantwortet das Rahmenprogramm der Ausstellung \u201eUnter Waffen. Fire & Forget 2\u201c im Museum Angewandte Kunst. Die Ausstellung wird am 10. September 2016 er\u00f6ffnet und bis zum 26. M\u00e4rz 2017 gezeigt. Zu den Beitr\u00e4gerinnen und Beitr\u00e4gern der ingesamt 14 Podiumsdiskussionen, Vortr\u00e4ge, Filmscreenings geh\u00f6ren Ellen Blumenstein, Prof. Dr. Christoph Burchard, Prof. Dr. Christopher Daase, Prof. Dr. Nicole Deitelhoff, Marco Fey, Dr. Daniel F\u00f6ller, Prof. Dr. Dr. G\u00fcnter Frankenberg, Prof. Dr. Klaus G\u00fcnther, Prof. Dr. Ingeborg Harms, Prof. Dr. Vinzenz Hediger, Prof. Dr. Angela Keppler, Dr. Matthias Kettemann, Dr. Stefan Kroll, Dr. Mahret Kupka, Dr. Valentin Rauer, Niklas Schenk, Prof. Dr. Susanne Schr\u00f6ter, Prof. Dr. Martin Seel, Dr. Daniel Tyradellis, Dr. Thorsten Thiel, Univ.-Prof. Dr. Milo\u0161 Vec, Dr. Simone Wisotzki, Ronja von Wurmb-Seibel, Peter Zizka.\n\n\n\n

Organizer: Museum Angewandte Kunst in cooperation with the Cluster of Excellence \u201cThe Formation of Normative Orders\u201d<\/p>\n<\/div>\n\n\n\n

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Nous n’avons pas besoin de tuer… Neon installation by Laura J Gerlach<\/h3>\n\n\n\n

As part of the Luminale 2016, March 13, 2016 to March 18, 2016<\/em><\/p>\n\n\n\n

Three letterings, clearly visible at three locations in Frankfurt and Offenbach, dominate the architecture, the text message manifests itself while the urban situation disappears into the darkness. A subtle sound that floods into the night emphasizes the relevance of interpreting what is read, of examining one’s own attitude, of taking a stand in response to the textual, political call. And also: to take responsibility as a citizen, as part of the global society with the ability and possibility to change. <\/p>\n\n\n\n

Organizer: Cluster of Excellence \u201cThe Formation of Normative Orders\u201d with Galerie Marion Meyer, Cultural Office of the City of Frankfurt am Main, City of Offenbach am Main<\/p>\n\n\n\n

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(c) Laura J Gerlach<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n
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ARAHMAIANI: \u201cViolence No More\u201d<\/h3>\n\n\n\n

October 12 to 25, 2015<\/em><\/p>\n\n\n\n

The exhibition \u201cViolence No More\u201d at Haus am Dom is a retrospective of the Indonesian artist ARAHMAIANI. Indonesian contemporary art is virtually unknown in Europe. ARAHMAIANI is one of the few artists from the 2015 Book Fair’s guest country who are touring internationally. She is at the forefront of promoting Indonesian art on the international stage. There is no art metropolis in the world where it has not yet exhibited, no biennial in the north or south to which it has not been invited. The exhibition is curated by Dr. Werner Kraus (Center for Southeast Asian Art, Passau) and organized by Dr. Gunnar Stange (Goethe University) and Dr. Lisa Stra\u00dfberger (Haus am Dom, Frankfurt). It is part of a cooperation between Haus am Dom, the Collaborative Research Center 1095: \u201cDiscourses of Weakness and Resource Regimes\u201d and the Cluster of Excellence \u201cThe Formation of Normative Orders\u201d at Goethe University Frankfurt, the Frankfurt Book Fair, the Center for Southeast Asian Art, Passau, and the Frankfurt Research Center for Global Islam (FFGI). <\/p>\n<\/div>\n\n\n\n

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Sense of Doubt. Against forgetting <\/h3>\n\n\n\n

September 10 to October 11, 2015 <\/em><\/p>\n\n\n\n

<\/a><\/em>To counter the narratives of power, we need a strong sense of doubt. This productive doubt helps us to look into the past. It brings to mind the repressed and also makes us aware of alternatives. With an exhibition of eighteen video artworks in the park of the Museum Angewandte Kunst and a series of lectures and panel discussions, the Sense of Doubt project shows how this sense of doubt can bring alternative memories of historical events to the fore and transfer them into the current global discourse. <\/p>\n\n\n\n

A project of the Cluster of Excellence The Formation of Normative Orders together with Sesc S\u00e3o Paulo, Associa\u00e7\u00e3o Cultural Videobrasil, the Museum Angewandte Kunst and Dr. Paula Macedo Wei\u00df Kulturproduktion, as part of the B3 Biennial of the Moving Image. Further cooperation partners are the Cultural Office of the City of Frankfurt am Main, the Hochschule f\u00fcr Gestaltung Offenbach am Main, the St\u00e4delschule Frankfurt am Main and the Goethe-Institut S\u00e3o Paulo. The project is supported by the Kulturfonds Frankfurt RheinMain. <\/p>\n<\/div>\n\n\n\n

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Trevor Paglen: The Octopus<\/h3>\n\n\n\n

Exhibition June 20 to August 30, 2015<\/em><\/p>\n\n\n\n

\u201cTrevor Paglen: Octopus\u201d is an exhibition project of the Frankfurter Kunstverein. It takes place as part of RAY 2015 Fotografieprojekte Frankfurt Rhein\/Main and is also a cooperation with the Cluster of Excellence \u201cThe Formation of Normative Orders\u201d at Goethe University Frankfurt am Main. <\/a><\/strong><\/em><\/p>\n<\/div>\n\n\n\n

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\u201cClimate justice\u201d in the focus of science and art<\/h3>\n\n\n\n

While climate protection is often only thought of in terms of technological innovation, these two events will focus more on issues of justice. Without more justice, there will be no new climate agreement. The photo exhibition shows people around the world who are already affected by climate change. The panel discussion will address topics such as: Is climate protection against the right to development? Are government regulations preferable or voluntary action? What is our understanding of prosperity? Is geoengineering an option? In short: How do we want to avert the most serious consequences of climate change without major injustice? <\/p>\n<\/div>\n\n\n\n

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Demonstrations. On the emergence of normative orders <\/h3>\n\n\n\n

January 20 to March 25, 2012<\/em><\/p>\n<\/div>\n\n\n\n

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FIXING FUTURES: Planetary futures between speculation and control April 5 to August 31, 2025 As part of the exhibition \u201cFIXING FUTURES: Planetary Futures between Speculation and Control\u201d, the MGGU – […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":6737,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/text_content.php","meta":{"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-9977","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages\/9977"}],"collection":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/comments?post=9977"}],"version-history":[{"count":7,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages\/9977\/revisions"}],"predecessor-version":[{"id":10001,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages\/9977\/revisions\/10001"}],"up":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages\/6737"}],"wp:attachment":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/media?parent=9977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}