{"id":10083,"date":"2025-05-27T19:06:23","date_gmt":"2025-05-27T17:06:23","guid":{"rendered":"https:\/\/reverent-antonelli.23-88-7-78.plesk.page\/event-series\/lecture-series-cinema\/narration-and-justification-in-cinema\/"},"modified":"2025-05-27T19:06:36","modified_gmt":"2025-05-27T17:06:36","slug":"narration-and-justification-in-cinema","status":"publish","type":"page","link":"https:\/\/normativeorders.net\/en\/event-series\/lecture-series-cinema\/narration-and-justification-in-cinema\/","title":{"rendered":"Narration and justification in cinema"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure data-wp-context=\"{&quot;uploadedSrc&quot;:&quot;https:\\\/\\\/normativeorders.net\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/narration-und-rechtfertigung-im-kino_840.jpg&quot;,&quot;figureClassNames&quot;:&quot;alignleft size-medium&quot;,&quot;figureStyles&quot;:null,&quot;imgClassNames&quot;:&quot;wp-image-10057&quot;,&quot;imgStyles&quot;:null,&quot;targetWidth&quot;:1188,&quot;targetHeight&quot;:840,&quot;scaleAttr&quot;:false,&quot;ariaLabel&quot;:&quot;Enlarge image&quot;,&quot;alt&quot;:&quot;&quot;}\" data-wp-interactive=\"core\/image\" class=\"alignleft size-medium wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"212\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/normativeorders.net\/wp-content\/uploads\/2025\/05\/narration-und-rechtfertigung-im-kino_840-300x212.jpg\" alt=\"\" class=\"wp-image-10057\" srcset=\"https:\/\/normativeorders.net\/wp-content\/uploads\/2025\/05\/narration-und-rechtfertigung-im-kino_840-300x212.jpg 300w, https:\/\/normativeorders.net\/wp-content\/uploads\/2025\/05\/narration-und-rechtfertigung-im-kino_840-1024x724.jpg 1024w, https:\/\/normativeorders.net\/wp-content\/uploads\/2025\/05\/narration-und-rechtfertigung-im-kino_840-768x543.jpg 768w, https:\/\/normativeorders.net\/wp-content\/uploads\/2025\/05\/narration-und-rechtfertigung-im-kino_840.jpg 1188w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge image\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on-async--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure><\/div>\n<p><em>Lecture series<\/em> 2011<br\/><br\/>In the context of the research project \u201cJustification Narratives: The Example of Contemporary Cinema\u201d, the lecture series is dedicated to the question of how narrative and justification relate to each other in different epochs and genres of cinema. Using more or less classic films as examples, the individual lectures will discuss whether and how cinematic narratives contribute &#8211; or can contribute &#8211; in their own way to the legitimization and\/or delegitimization of normative attitudes and orders. <\/p>\n\n<p>From the perspective of various disciplines, the speakers will be: Astrid Erll (Frankfurt), Daniel Feige (Berlin), G\u00fcnter Frankenberg (Frankfurt), Josef Fr\u00fcchtl (Amsterdam), Vinzenz Hediger (Frankfurt am Main), Gertrud Koch (Berlin), Robert Pippin (Chicago), Regine Prange (Frankfurt am Main), Juliane Rebentisch (Frankfurt am Main), Jochen Schuff (Frankfurt), Martin Seel (Frankfurt am Main), Christiane Voss (Weimar), Thomas Wartenberg (South Hadley, MA), George Wilson (Los Angeles) and Hans J\u00fcrgen Wulff (Kiel).<\/p>\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/web.archive.org\/web\/20211207031100\/https:\/\/www.normativeorders.net\/media\/images\/Plakate\/narration-und-rechtfertigung-im-kino_840.jpg\"><\/a><br\/><strong>Program<\/strong><\/h3>\n\n<p>October 20, 2011, 4:15 p.m., HZ9<br\/><strong>Martin Seel<\/strong> (Frankfurt am Main): <strong>Introduction<\/strong><br\/><br\/>October 27, 2011, 16.15, HZ9<br\/><strong>Vinzenz Hediger <\/strong>(Frankfurt am Main): <strong>Wageable and Unwageable Wars<\/strong><br\/>about \u201cDr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb\u201d (D: Stanley Kubrick; UK 1964) <br\/><br\/>November 3, 2011, 4:15 p.m., HZ9<br\/><strong>Martin Seel <\/strong>(Frankfurt am Main: <strong>The resilience of neurotic individuals<\/strong><br\/>about \u201cTo Be or Not to Be\u201d (directed by Ernst Lubitsch; USA 1942)<br\/><br\/>November 10, 2011, 4:15 p.m., HZ9<br\/><strong>Gertrud Koch <\/strong>(Berlin): <strong>Narrative Legitimization of Affects &#8211; Turns of Perspective in Inglourious Basterds<\/strong><br\/>about \u201cInglourious Basterds\u201d (D: Quentin Tarantino; USA\/Germany 2009)  <br\/><br\/>November 17, 2011, 4:15 p.m., HZ9<br\/><strong>Christiane Voss <\/strong>(Weimar): <strong>On the Taxis and Affect Logic of the Moving Image in Cinema<\/strong><br\/>about \u201cSud sanaeha [Blissfully Yours]\u201d (D: Apichatpong Weerasethakul; Thailand\/France 2002)<br\/><br\/>November 24, 2011, 4:15 p.m., HZ9<br\/><strong>Astrid Erll <\/strong>(Frankfurt am Main): <strong>Jarhead, Remediation and the Logic of War Cinema Made in Hollywood<\/strong><br\/>about \u201cJarhead\u201d (D: Sam Mendes; Germany\/USA 2005)<br\/><br\/>November 28, 2011, 6:15 p.m.,<strong> HZ6<\/strong><br\/><strong>Robert Pippin <\/strong>(Chicago): <strong>Passive and Active Skepticism in Nicholas Ray&#8217;s In a Lonely Place<\/strong><br\/>about \u201cIn a Lonely Place\u201d (R: Nicholas Ray; USA 1950)<\/p>\n\n<p>December 1, 2011, 4:15 p.m., HZ9<br\/><strong>George Wilson <\/strong>(Los Angeles): <strong>\u201cGod is Wrong\u201d: On Nicholas Ray&#8217;s Bigger Than Life<\/strong><br\/>about \u201cBigger Than Life\u201d (dir: Nicholas Ray; USA 1956)<br\/><br\/>December 8, 2011, 4:15 p.m., HZ9<br\/><strong>Thomas Wartenberg <\/strong>(South Hadley, MA): <strong>Narrating History in John Ford&#8217;s The Man Who Shot Liberty Valance<\/strong><br\/>about \u201cThe Man Who Shot Liberty Valance\u201d (R: John Ford; USA 1962)<br\/><br\/>December 15, 2011, 4:15 p.m., HZ9<br\/><strong>Jochen Schuff <\/strong>(Frankfurt am Main): <strong>Images outside the orders<\/strong><br\/>about \u201cSouthland Tales\u201d (D: Richard Kelly; Germany\/USA\/France 2006)<br\/><br\/>January 12, 2012, 4:15 p.m., HZ9<br\/><strong>G\u00fcnter Frankenberg<\/strong> (Frankfurt am Main): <strong>The Story of Qiu Ju<\/strong><br\/>about \u201cQiu Ju da guan si [The Story of Qiu Ju]\u201d (D: Zhang Yimou; China\/Hong Kong 1992)<br\/><br\/>January 19, 2012, 4:15 p.m., HZ9<br\/><strong>Regine Prange <\/strong>(Frankfurt am Main): <strong>Monsters and Morality &#8211; Loyalty and Betrayal in The Lord<\/strong> of the <strong>Rings Trilogy<\/strong><br\/>about \u201cThe Lord of the Rings: The Fellowship of the Ring\u201d (D: Peter Jackson; New Zealand\/USA 2001)<br\/><br\/>January 26, 2012, 4:15 p.m., HZ9<br\/><strong>Daniel Feige <\/strong>(Berlin):  <strong>Media autopsy of war &#8211; Autopsy of media war. Brian De Palma&#8217;s Redacted <\/strong><br\/>about \u201cRedacted\u201d (D: Brian De Palma; USA\/Canada 2007)<br\/><br\/>February 2, 2012, 4:15 p.m., HZ9<br\/><strong>Juliane Rebentisch <\/strong>(Offenbach am Main):  <strong>I&#8217;m Not There. On the critique of narration and justification in the biopic <\/strong><br\/>about \u201cI&#8217;m Not There\u201d (Director: Todd Haynes; USA\/Germany 2007)<br\/><br\/>February 9, 2012, 4:15 p.m., HZ9<br\/><strong>Josef Fr\u00fcchtl <\/strong>(Amsterdam):<strong> \u201cBecause there&#8217;s no place that doesn&#8217;t see you.\u201d<\/strong><strong> Surveillance and punishment in Minority Report<\/strong><br\/>about \u201cMinority Report\u201d (D: Steven Spielberg; USA 2002)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lecture series 2011 In the context of the research project \u201cJustification Narratives: The Example of Contemporary Cinema\u201d, the lecture series is dedicated to the question of how narrative and justification [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":10060,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/text_content.php","meta":{"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-10083","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages\/10083"}],"collection":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/comments?post=10083"}],"version-history":[{"count":3,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages\/10083\/revisions"}],"predecessor-version":[{"id":10086,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages\/10083\/revisions\/10086"}],"up":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/pages\/10060"}],"wp:attachment":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/media?parent=10083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}