{"id":10963,"date":"2025-05-15T13:55:56","date_gmt":"2025-05-15T11:55:56","guid":{"rendered":"https:\/\/normativeorders.net\/?post_type=aiovg_videos&#038;p=10963"},"modified":"2025-07-28T14:00:27","modified_gmt":"2025-07-28T12:00:27","slug":"lecture-film-black-atlantic-cinema-prof-janaina-oliveira-ueber-das-black-brasilian-cinema","status":"publish","type":"aiovg_videos","link":"https:\/\/normativeorders.net\/en\/video\/lecture-film-black-atlantic-cinema-prof-janaina-oliveira-ueber-das-black-brasilian-cinema\/","title":{"rendered":"LECTURE &#038; FILM: Black Atlantic Cinema \/\/ Prof. Jana\u00edna Oliveira \u00fcber das \u00bbBlack Brasilian Cinema\u00ab"},"content":{"rendered":"<p><em>Lecture &amp; Film \u201eBlack Atlantic Cinema\u201c<\/em><\/p>\n<p>Lecture:\u00a0<strong>Jana\u00edna Oliveira<\/strong>\u00a0(Rio de Janeiro)<\/p>\n<p>\u201cWe are always in the middle of the journey,\u201d says essayist and poet Dionne Brand in A Map to the Door of No Return. The crossing of the Atlantic marks Black people\u2019s historical and aesthetic experiences, bringing fragmentation and incompleteness, but also the crossroads that shape lives in the African diasporas. The\u00a0<strong>Encruzilhadas das \u00e1guas \/ Water Crossings<\/strong>\u00a0program offers a path for thinking about the Atlantic routes that shape Black cinemas in Brazil, proposing the encounter of contemporary works with Z\u00f3zimo Bulbul\u2019s pioneering film, in a kind of cinematographic panorama through the waters.<\/p>\n<p><strong>Jana\u00edna Oliveira<\/strong>\u00a0holds a Ph.D. in History and is a professor at the Federal Institute of Rio de Janeiro (IFRJ). She is Head Programmer at the Z\u00f3zimo Bulbul Black Film Festival in Rio de Janeiro and on the programming committees for FINCAR (Festival Internacional de Cinema de Realizadoras) and International Women Filmmakers Festival in Recife.<\/p>\n<p><strong>Film Program:<\/strong><br \/>\n<strong>Alma no Olho<\/strong>\u00a0(Soul in the eye), Z\u00f3zimo Bulbul (Brazil, 1973, 13 min)<br \/>\n<strong>NoirBlue, Displacents of a dance<\/strong>, Ana Pi, Brazil, 2018, 27 min.<br \/>\n<strong>Se o mar tivesse varandas<\/strong>\u00a0(If the sea had balconies), Aline Motta, Brazil, 2017, 9 min.<br \/>\n<strong>Mal di Mare<\/strong>\u00a0(Seasick), Jo\u00e3o Vieira Torres, France\/Brazil, 2021, 15 min.<br \/>\n<strong>Mar de Dentro<\/strong>, Lia Let\u00edcia, Brazil, 2024, 8 min.<br \/>\n<strong>De um lado do Atl\u00e2ntico<\/strong>\u00a0(On One Side of the Atlantic), Milena Manfredini, Brazil, 2017, 7 min.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Veranstalter<\/strong><br \/>\nInstitut f\u00fcr Theater-, Film- und Medienwissenschaft der Goethe Universit\u00e4t und Kino im deutschen Filmmuseum in Kooperation mit dem Forschungszentrum \u201eNormative Ordnungen\u201c, dem Forschungscluster \u201eConTrust \u2013 Vertrauen im Konflikt\u201c und der hessischen Film- und Medienakademie; realisiert mit Mitteln des Adickes-Fonds der Goethe Universit\u00e4t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lecture &amp; Film \u201eBlack Atlantic Cinema\u201c Lecture:\u00a0Jana\u00edna Oliveira\u00a0(Rio de Janeiro) \u201cWe are always in the middle of the journey,\u201d says essayist and poet Dionne Brand in A Map to the [&hellip;]<\/p>\n","protected":false},"author":3,"comment_status":"open","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_links_to":"","_links_to_target":""},"aiovg_categories":[375],"aiovg_tags":[],"class_list":["post-10963","aiovg_videos","type-aiovg_videos","status-publish","has-post-thumbnail","hentry","aiovg_categories-lecture-film-black-atlantic-cinema"],"acf":[],"_links":{"self":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/aiovg_videos\/10963"}],"collection":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/aiovg_videos"}],"about":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/types\/aiovg_videos"}],"author":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/comments?post=10963"}],"wp:attachment":[{"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/media?parent=10963"}],"wp:term":[{"taxonomy":"aiovg_categories","embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/aiovg_categories?post=10963"},{"taxonomy":"aiovg_tags","embeddable":true,"href":"https:\/\/normativeorders.net\/en\/wp-json\/wp\/v2\/aiovg_tags?post=10963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}